Landscape, and how we manipulate it to fit preconceived ideals or corporatized molds, has become familiar territory for my art practice. Whether I am exploring the urban environment with its homogenized grid of rectangular blocks, or examining how culture frames and re-frames landscape, I remain responsive to how our perceptions of the world and sense of place are shaped by human design.

My spatially illusionistic representations offer synthesized versions of geological outcrops, cairns, or memorial mounds of gathered rock. Organic forms are civilized through linear perspective and a hard-edged painting approach that highlights our ongoing subordination of nature.

Classic western movie sets, with their façade communities propped amid panoramic backdrops of desert and mountain have informed the installation of components within Absentia. Placeless and staged, they act as stand-in monuments to the loss of natural landscape brought on by capitalism and its co-opting of the wild.